The Little Prince Essay -- Art Literature Papers

The curt PrinceIn Art as Technique Russian formalist Viktor Shklovsky introduces defamiliarisation as a literary device to ease readers regain our fighter of things, which we have become unaware of, as our sensing gets automatised through habitualisation (Shklovsky, 20). Shklovsky thus goes on to engage in a word of the methodologies employed in creating the effect of defamiliarisation, treating defamiliarisation as purely a proficiency of art. However this may be an oversimplification of the concept of defamiliarisation, which is based upon certain principles of perception, and perception is in turn a central component of fond cognition. Hence, it is the aim of this composing to explore the relations between the effect of defamiliarisation and the cordial cognitive elements of perception. by means of the use of Antoine de Saint-Exuprys The Little Prince, the defamiliarisation effect can be explained by the non-conformation of its elements of discourse, to wit genre, cha racter filter, social setting and the use of poetical language, to the cognitive structures of prototypes, schemas and heuristics held by the adult reader. For those who are unfamiliar with the story of The Little Prince, this narrative depicts the adventures of a little prince from a distant star as he embarks on a journey to six other planets. He finds, isolated on each planet, a king with only a rat as his subject, a conceited man, a drinker, a rail line man who feature stars, a lamplighter forever lighting and extinguishing a single avenue lamp, and a geographer who does not explore his own planet. at last the little prince makes his style to Earth, where he meets a fox and learns to tame it. Upon roaming close to the desert, the little prince chances upon ... ...ation, however, is that it is subjective, depending on the type of reader of the narrative, as well as the social context which the reader is socialised into. Hence, while The Little Prince is qualified to cre ate a defamiliarising effect on its adult readers, it may or may not be able to defamiliarise its children readers using the same elements of discourse. industrial plant CitedHoward, Judith A. Social lore. Sociological Perspectives on Social Psychology. Massachussetts Allyn & Bacon. 1995. 90-117.Neale, Stephen. Expectation and Verisimilitude. Excerpted from Questions of writing style. Film genre Reader II. Ed. Barry Keith Grant. Austin U of Texas P. 1995. 159-183.Saint-Exupry, de Antoine. The Little Prince. capital of the United Kingdom Penguin, 1998.Shklovsky, Victor. Art as Technique. Modern Criticism and Theory A Reader. Ed. David Lodge. Harlow Longman, 1988. 15-30. The Little Prince try on -- Art Literature PapersThe Little PrinceIn Art as Technique Russian formalist Viktor Shklovsky introduces defamiliarisation as a literary device to help readers regain our sensation of things, which we have become unaware of, as our perception gets automatised through hab itualisation (Shklovsky, 20). Shklovsky then goes on to engage in a discussion of the methodologies employed in creating the effect of defamiliarisation, treating defamiliarisation as purely a technique of art. However this may be an oversimplification of the concept of defamiliarisation, which is based upon certain principles of perception, and perception is in turn a central component of social cognition. Hence, it is the aim of this paper to explore the relations between the effect of defamiliarisation and the social cognitive elements of perception. Through the use of Antoine de Saint-Exuprys The Little Prince, the defamiliarisation effect can be explained by the non-conformation of its elements of discourse, namely genre, character filter, social setting and the use of poetic language, to the cognitive structures of prototypes, schemas and heuristics held by the adult reader. For those who are unfamiliar with the story of The Little Prince, this narrative depicts the adventures of a little prince from a distant star as he embarks on a journey to six other planets. He finds, isolated on each planet, a king with only a rat as his subject, a conceited man, a drinker, a business man who own stars, a lamplighter forever lighting and extinguishing a single street lamp, and a geographer who does not explore his own planet. Finally the little prince makes his way to Earth, where he meets a fox and learns to tame it. Upon roaming about the desert, the little prince chances upon ... ...ation, however, is that it is subjective, depending on the type of reader of the narrative, as well as the social context which the reader is socialised into. Hence, while The Little Prince is able to create a defamiliarising effect on its adult readers, it may or may not be able to defamiliarise its children readers using the same elements of discourse. Works CitedHoward, Judith A. Social Cognition. Sociological Perspectives on Social Psychology. Massachussetts Allyn & Bacon. 1995. 90-117.Neale, Stephen. Expectation and Verisimilitude. Excerpted from Questions of Genre. Film Genre Reader II. Ed. Barry Keith Grant. Austin U of Texas P. 1995. 159-183.Saint-Exupry, de Antoine. The Little Prince. London Penguin, 1998.Shklovsky, Victor. Art as Technique. Modern Criticism and Theory A Reader. Ed. David Lodge. Harlow Longman, 1988. 15-30.