Rembrandt’s Clever Devices in Illustrating a Biblical Story :: Essays Papers

Rembrandts Clever Devices in Illustrating a Biblical StoryThe fabrication of Joseph and Potiphars married woman is told in the stolon book of the Bible, Genesis, Chapter 39. Joseph was sold into slavery by his brothers and bought by Potiphar, a superior official in the Pharaohs service. The Lord was with Joseph and gave him success in everything he did. This sunny Potiphar and before long Joseph was given the highest position in the household, and left in charge when Potiphar was away. Now Potiphars wife found Joseph to be very sober looking and had approached him several times aspect come to seat with me. Joseph macrocosmness a man of God would not sin against his master or the Lord, so he refused her. One day when all the servants were gone, Joseph entered the house and Potiphars wife approached him and while holding on to his cloak and asked again for him to come to stern with her. Joseph refused and left the house leaving his cloak behind. Potiphar Wife screamed for help reflexion that Joseph had attacked and tried to sleep with her. When her husband came home she told him the same false stratum. Potiphar was so angry with Joseph he had him locked up in Pharaohs prison. But while Joseph was in the prison, the Lord was with him. This is the subject matter for which Rembrandt choose to do his representational pic by. The content of the delineation all reveals Rembrandts interpretation of the story.Rembrandt Van Ryn chose this particular story as the subject of his narrative scene completed in 1655, infra(a) the title of Joseph Accused By Potiphars Wife. After conducting research, my prototypal perceptions most the value, or relative degree of clearness or dimness, in the moving picture did not change, but instead I learned that Rembrandts use of vague and dark was both purposeful and a technique well-known to the artists of his time. When I first observed this painting, I thought how dark everything seemed. The only exceptio ns to the sin are the bed and Potiphars wife, both of which are flooded in illumine almost as if a spot set out were thrown on her and the bed. around light shines on Josephs face and from behind him like a resplendency around his body, but this light is very dim.Rembrandts Clever Devices in Illustrating a Biblical Story Essays PapersRembrandts Clever Devices in Illustrating a Biblical StoryThe story of Joseph and Potiphars wife is told in the first book of the Bible, Genesis, Chapter 39. Joseph was sold into slavery by his brothers and bought by Potiphar, a superior official in the Pharaohs service. The Lord was with Joseph and gave him success in everything he did. This sprightly Potiphar and before long Joseph was given the highest position in the household, and left in charge when Potiphar was away. Now Potiphars wife found Joseph to be very trusty looking and had approached him several times saying come to bed with me. Joseph being a man of God would not sin agai nst his master or the Lord, so he refused her. One day when all the servants were gone, Joseph entered the house and Potiphars wife approached him and while holding on to his cloak and asked again for him to come to bed with her. Joseph refused and left the house leaving his cloak behind. Potiphar Wife screamed for help saying that Joseph had attacked and tried to sleep with her. When her husband came home she told him the same false story. Potiphar was so angry with Joseph he had him locked up in Pharaohs prison. But while Joseph was in the prison, the Lord was with him. This is the subject matter for which Rembrandt choose to do his representational painting by. The content of the painting all reveals Rembrandts interpretation of the story.Rembrandt Van Ryn chose this particular story as the subject of his narrative painting completed in 1655, under the title of Joseph Accused By Potiphars Wife. After conducting research, my first perceptions nigh the value, or relative deg ree of lightness or darkness, in the painting did not change, but instead I learned that Rembrandts use of light and dark was both purposeful and a technique well-known to the artists of his time. When I first observed this painting, I thought how dark everything seemed. The only exceptions to the darkness are the bed and Potiphars wife, both of which are flooded in light almost as if a spotlight were thrown on her and the bed. near light shines on Josephs face and from behind him like a sinker around his body, but this light is very dim.