Maya Deren and Her Successful Integration of Dance and Film :: Biography Biographies Essays

Maya Deren and Her Successful Integration of Dance and FilmThe topic of dance films could non be discussed without mentioning Maya Deren. A dancer, ethnographer, philosopher, and visual poet, Maya Deren is said to have minded(p) birth to the American avant-garde film movement. Born Eleanora Derenkovskaya on April 29, 1917, in Kiev, Ukraine, (the year of the Russian Revolution), she was a revolutionary innovator from the st maneuver. She was born to her making love mother Marie Fiedler and father Solomon Derenskovsky. In 1922 her family left the Soviet Union for America. They colonised in siege of Syracuse, New York. By 1928, her father had shortened their name to Deren. Mayas childhood name was Elinka. As a young girl, Elinka hated her legs. She had a rather stalky build for American standards, and because of this, she loved to wear boots. At be on ten she gave herself the nickname of Bootsy. Little did she know where those stalky legs would take her. Deren attended Syracuse Un iversity to study journalism. This is where her interest in film was first sparked. During this period, she began to write poetry, served as the national secretary of the Young Peoples Socialist League, and met her first save, Gregory Bardacke. Although her marriage did not last dour, Gregory helped her to develop a strong interest in politics, an scope in which she would continue to participate. Deren completed her B.A. at New York University in 1936. She because went on to earn an M.A. in English literature from Smith College in 1939.It was her next move that introduced her to the world of dance. She found a secretarial agate line working for African American dancer and choreographer Katherine Dunham. With Dunham, Deren toured with the road show of cabin in the Sky. While on tour, she met her next husband and life long inspiration, Czech filmmaker, Alexander Hackenschmied, later known as Alexander Hammid. It is her trade union with Hammid that allowed her to combine her inte rests and begin to create films. From an inheritance she earned from her father, she bought a second-hand 16mm Bolex camera. With this camera, Deren and her husband created her first and most famous film Meshes of the Afternoon in 1943. By this time, Elenora had shortened her name to Maya, the word for veil of illusion in Hindoo mythology. Deren went on to create many more avant-garde films integrating dance, mise-en-scene, and the art of montage.